History of the painting The broadest time frame for the painting was proposed by the Scottish art historian Lorne Campbell, curator of the National Gallery in London, who dated Madonna Durán to the years 1432–1442 [3]. Narrowing this period, the Belgian researcher Dirk de Vos, curator of the Groeningemuseum in Bruges, pointed to the years 1432–1435 [4], while the French scholar Albert Châtelet proposed the years 1430–1432 [5]. The German art historian Erwin Panofsky moved the creation of Madonna Durán to the years 1436–1437, pointing to its likely iconographic inspiration - currently stored in the National Gallery of Victoria in Melbourne, the Madonna and Child by Jan van Eyck from around 1433 [6].
History of the painting The broadest time frame for the painting was proposed by the Scottish art historian Lorne Campbell, curator of the National Gallery in London, who dated Madonna Durán to the years 1432–1442 [3]. Narrowing this period, the Belgian researcher Dirk de Vos, curator of the Groeningemuseum in Bruges, pointed to the years 1432–1435 [4], while the French scholar Albert Châtelet proposed the years 1430–1432 [5]. The German art historian Erwin Panofsky moved the creation of Madonna Durán to the years 1436–1437, pointing to its likely iconographic inspiration - currently stored in the National Gallery of Victoria in Melbourne, the Madonna and Child by Jan van Eyck from around 1433 [6].
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