The left panel of the triptych shows donors Peter Engelbrecht and his wife Gretin Schinmechers, kneeling and staring through the open door at the scene in the middle panel. This scene was probably painted by another artist. Behind them, in front of the open gate, there is a bearded man, and in the background there is a street bathed in spring sunshine. The center panel shows a biblical scene, The Annunciation to Mary. Young Mary, unaware of the coming Angel, is engrossed in reading the Bible. On the table there is an open book with pages flipped through by a gust of wind. They both symbolize the union of the Old and New Testaments through the fulfillment of prophecies. The right panel shows St. Józef at work. There are various carpentry tools around it, and outside the window you can see the everyday life of the townspeople during the winter season (the figures of the townspeople are dressed in winter robes). The city visible in the fragment of the shutters of the workshop of St. Józefa is immersed in the winter aura, as evidenced by the clothes of the townspeople covered with snowflakes. On the left, the donors' backyard garden and the street show spring.
The left panel of the triptych shows donors Peter Engelbrecht and his wife Gretin Schinmechers, kneeling and staring through the open door at the scene in the middle panel. This scene was probably painted by another artist. Behind them, in front of the open gate, there is a bearded man, and in the background there is a street bathed in spring sunshine. The center panel shows a biblical scene, The Annunciation to Mary. Young Mary, unaware of the coming Angel, is engrossed in reading the Bible. On the table there is an open book with pages flipped through by a gust of wind. They both symbolize the union of the Old and New Testaments through the fulfillment of prophecies. The right panel shows St. Józef at work. There are various carpentry tools around it, and outside the window you can see the everyday life of the townspeople during the winter season (the figures of the townspeople are dressed in winter robes). The city visible in the fragment of the shutters of the workshop of St. Józefa is immersed in the winter aura, as evidenced by the clothes of the townspeople covered with snowflakes. On the left, the donors' backyard garden and the street show spring.
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