Manuela's portrait is characterized by a modern concept manifested in the way of painting and an intimate atmosphere. Manuel was depicted en pied against an almost completely neutral background, only the outline of the walls suggests that the figure is in a room. Bosa, she is wearing a transparent, white dress without a petticoat, it is probably a night dress decorated with a ribbon for the portrait [1]. She is holding a doll in her hand. He smiles and looks at the viewer with large, black eyes [6]. It was a portrait intended for contemplation in private space, as evidenced by the fact that after the death of Prince Osuna, it was not hung in the palace lounge next to two portraits of her sisters, but in the duchess's office [1].
Manuela's portrait is characterized by a modern concept manifested in the way of painting and an intimate atmosphere. Manuel was depicted en pied against an almost completely neutral background, only the outline of the walls suggests that the figure is in a room. Bosa, she is wearing a transparent, white dress without a petticoat, it is probably a night dress decorated with a ribbon for the portrait [1]. She is holding a doll in her hand. He smiles and looks at the viewer with large, black eyes [6]. It was a portrait intended for contemplation in private space, as evidenced by the fact that after the death of Prince Osuna, it was not hung in the palace lounge next to two portraits of her sisters, but in the duchess's office [1].
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