The Pre-Raphaelite Brotherhood, founded as a rebellion against academic art, postulated, inter alia, Accurate mapping of nature and showing it in a very detailed way. Most of the evil shepherd was outdoors. The artist, together with John Everett Millais, spent the summer in Surrey, England, where they both worked on their new works. At that time, Hunt painted a naturalistic landscape, and only later, in the winter of the same year, did he paint shepherds in his studio. The subject matter of the painting, which Hunt chose, is also in line with the preferences of the Pre-Raphaelites, as they highly valued Shakespeare's works.
The Pre-Raphaelite Brotherhood, founded as a rebellion against academic art, postulated, inter alia, Accurate mapping of nature and showing it in a very detailed way. Most of the evil shepherd was outdoors. The artist, together with John Everett Millais, spent the summer in Surrey, England, where they both worked on their new works. At that time, Hunt painted a naturalistic landscape, and only later, in the winter of the same year, did he paint shepherds in his studio. The subject matter of the painting, which Hunt chose, is also in line with the preferences of the Pre-Raphaelites, as they highly valued Shakespeare's works.
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