Harmony (Suggestive Self-Portrait, 1956) Remedios Varo said: The character is trying to find the invisible thread that unites all things, that is why, on a pentagram of metal threads, he strings all kinds of objects: from the simplest to a piece of paper containing a mathematical formula, which is in itself an accumulation of things. When he manages to place the various objects in their place, blowing through the key that holds the staff, music should come out that is not only harmonious but also objective, that is, capable of moving things around him if that is how he wants to use it. . The figure that detaches itself from the wall and collaborates with him represents chance—which so often intervenes in all discoveries—but objective chance. When I use the word “objective”, I understand that it is something outside our world, or rather beyond it, and that it is connected to the world of causes, and not of phenomena, which is ours. Text and image from the network
Harmony (Suggestive Self-Portrait, 1956) Remedios Varo said: The character is trying to find the invisible thread that unites all things, that is why, on a pentagram of metal threads, he strings all kinds of objects: from the simplest to a piece of paper containing a mathematical formula, which is in itself an accumulation of things. When he manages to place the various objects in their place, blowing through the key that holds the staff, music should come out that is not only harmonious but also objective, that is, capable of moving things around him if that is how he wants to use it. . The figure that detaches itself from the wall and collaborates with him represents chance—which so often intervenes in all discoveries—but objective chance. When I use the word “objective”, I understand that it is something outside our world, or rather beyond it, and that it is connected to the world of causes, and not of phenomena, which is ours. Text and image from the network
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